Posts tagged with "Marketing Dive"

Campbell’s Chunky celebrates beefy hunks like Jason Kelce

October 4, 2024

Next month, the Campbell Soup Company will ask shareholders to approve renaming the 155-year-old business to The Campbell’s Company. But, even if that happens, Campbell’s will likely remain synonymous with soup, and consumers will still know what the Campbell’s Chunky brand has inside the can: big hunks of meat and protein that make it “the soup that eats like a meal,” reports Marketing Dive.

Chunky has toyed with double entendres around those “hunks” by casting two beefy football greats—New York Giants nose tackle Dexter Lawrence and retired Philadelphia Eagles center (and pop culture phenom) Jason Kelce—in its latest campaign. The effort, created with Publicis agency Leo Burnett, kicked off on September 9 and will run across TV and online video, including during football broadcasts on Amazon, NBC, ESPN, CBS and beyond.

In his 15-second spot, Lawrence eats soup at the gym, his biceps tearing through his t-shirt and a “Stay Sexy” decal—a nod to his “Sexy Dexy” nickname—visible on the mirror. For his part, Kelce dons a robe and lays out in front of a fireplace, sipping soup on a bearskin run. The spots speak to Chunky’s emphasis on football and flavor.

The ads support the two pillars of Chunky’s brand identity—beefy and spicy—while continuing to lean into humor and not take the brand too seriously en route to breaking through creatively and bringing more attention the category.

 A game won in the trenches

Countless brands rushed to partner with the NFL and its players for campaigns geared to the start of the football season. For Chunky, an NFL partner since 1998 and the sponsor with the second longest tenure, finding the right talent was crucial to the campaign.

“When you think about who our consumers are, there’s the classic advertising archetypes, like the everyman consumer,” Campbell’s Marketing Director Pete Herron said. “It’s someone who isn’t necessarily always celebrated, but is the one that always gets the work done and is always reliable.”

Chunky made the deliberate choice to focus on offensive and defensive linemen—the players who drive the outcomes of games but without the notoriety or glamor of their football-handling teammates.

With Lawrence, Chunky secured a defensive lineman who is not only one of the best players on the field, but also a charismatic and charming character off the field. The brand paired “Sexy Dexy” with popular Chunky variety Chili Mac and played up the asymmetry and humor of someone eating soup at the gym.

Kelce’s partnership with Chunky dates back to a campaign last year that saw him in an ad alongside his brother Travis and mother Donna. The spot, called “Bragging Rights,” followed the brotherly face off at Super Bowl LVII.

Since then, the Kelce brothers have become ubiquitous in media, due largely in part to Travis’ relationship with Taylor Swift and Jason’s post-career, off-field antics (The pair recently signed a reportedly $100 million three-year deal with Amazon’s Wondery for the rights to their podcast, “New Heights.”). But Jason brings more than cultural cache to his Chunky spot.

“It really was this great intersection for us to be able to leverage him as this real, connective tissue to the every man; but also, he has the type of personality to really pull through the humor in a pretty compelling way,” Herron said.

Research contact: @marketingdive

Doritos revives ‘Crash the Super Bowl’ contest focused on fan-created ads

September 19, 2024

Doritos is bringing back its “Crash the Super Bowl” contest, which challenges fans to come up with a big-game ad that is superior to any that the brand could create on its own, reports Marketing Dive.

Those who win will see their 30-second concepts brought to life on TV’s biggest night and receive a $1 million prize, along with a trip to Super Bowl LIX in New Orleans. Doritos is accepting submissions through November 11, and the process will include several rounds of vetting.

“Crash the Super Bowl”—which originally debuted in 2006 and ran through 2016—produced some of the Frito-Lay’s most memorable, well-liked spots, including “Slap” and “Goats4Sale.” Doritos is supporting the relaunch with ads referencing those campaigns and pushing consumers to “do better.”

In its previous iteration, “Crash the Super Bowl” yielded some of Doritos’ most talked about ads—helping to enshrine the Frito-Lay chip brand as a fixture of big game advertising (parent company PepsiCo is a longtime NFL sponsor). Spots sourced from the contest ended up in the top five of USA Today’s closely watched Ad Meter every year over the program’s original decade-long run, with four landing in the number-one spot.

Since the contest wound down in 2016, Doritos’ Super Bowl advertising has shifted more toward celebrity cameos—a common tactic for marketers that plunk down millions for 30 seconds of national airtime. The brand’s campaign for Super Bowl LVIII in February starred “Wednesday” actor Jenna Ortega and promoted a Dinamita product. Its spot from 2023 had appearances from the likes of rapper Jack Harlow and singer Elton John.

Bringing back “Crash the Super Bowl” gives Doritos an avenue into outside creative ideas that could recapture some of its mojo. In a statement, Tina Mahal, senior vice president of Marketing at PepsiCo Foods North America, said that fans “have more access than ever to creative and ad-making tools.” The rules note that each work must be original and “not use any artificial intelligence (AI) to create or assist in the creation of the script, creative assets or any other element.”

Those interested in a shot at the limelight can visit DoritosCrash.com for submission instructions. A selection of 25 finalists—a number referencing how many years Doritos has appeared at the Super Bowl—will be assessed by a panel of judges later this year while casual consumers can vote on the top three candidates in January.

Research contact: @marketingdive

Vitaminwater returns to its New York City roots in Spike Lee-directed ads

July 26, 2024

Vitaminwater is getting back to its New York City roots for the beverage brand’s first ad campaign in two years, reports Marketing Dive.

“Vitaminwater from New York” features commercials directed by filmmaker Spike Lee, a New York icon, and is running in the United States through September.

An anthem spot places Vitaminwater in city fixtures like bodegas, late-night food trucks, and the Brooklyn Bridge while capturing the restless spirit of Big Apple residents.

Lee also selected three up-and-coming film students from New York University to direct experimental and narrative-driven shorts for the campaign. The local angle, supported by streaming, audio and out-of-home ads catered to New Yorkers, marks a pivot from past Vitaminwater marketing. Each scenario is depicted in 15- and six-second cutdowns titled “Bodega,” “Work Hard Play Hard,” “Walk Up” and “Brooklyn Bridge.”

 Vitaminwater wants to establish a stronger connection to its New York City origins, representing a more localized marketing angle for the brand under Coca-Cola’s Glacéau subsidiary. To capture an authentic New Yorker energy, the company enlisted the help of Lee, a local fixture whose films frequently are set around the five boroughs. Lee is also well-known for his advertising output, including well-known commercials for Nike’s Air Jordan brand.

“Not many people know that Vitaminwater was born in New York; created because New Yorkers wanted more flavor and function for their lives. That’s what makes vitaminwater what it is today—colorful, flavorful, anything but boring,” says Luke Perkins, senior director of creative strategy at The Coca-Cola Company. “We’re excited to take the brand back to its roots to celebrate the diversity, vibrancy, flavor and attitude of New York, in a way anyone living anywhere will emotionally relate to.”

WPP’s bespoke unit for Coke, Open X, handled the effort.

Research contact: @marketingdive

Heinz swaps ‘Deadpool & Wolverine’ for condiments in meta movie tie-in

July 23, 2024

Heinz is taking advantage of the upcoming “Deadpool & Wolverine” film with a campaign centered around the chosen colors of each hero, reports Marketing Dive.

“Now You Can’t Unsee It” compares Wolverine to mustard and Deadpool to ketchup, due to the colors of their outfits. Agency Rethink led the effort, with an assist from Maximum Effort, Carat, and Zeno Group.

The campaign is anchored by a spot done in the traditional, fourth-wall-breaking style of a “Deadpool” film. Other activations include in-store initiatives, billboards, and collectibles for decorating condiment bottles.

The comparison is highlighted in a new commercial, which begins like a regular trailer for the blockbuster but quickly has the superheros replaced by condiments—with Reynolds doing Deadpool’s classic, fourth-wall-breaking narration and bemoaning subliminal advertising. The similarity is also emphasized in social media content and out-of-home placements.

Free limited-edition collectibles will allow consumers to decorate their condiment bottles as the superheroes, with mask, suit, and weapon accessories.

“Now You Can’t Unsee It” was inspired by aspects of the production of “Deadpool & Wolverine.” Reynolds and Jackman were reportedly nicknamed ketchup and mustard on set. Additionally, the two are meant to be a pair despite their differences.

Many brands have looked to get in on the hype of the upcoming movie release. Heineken Silver also tapped into the initially antagonistic relationship between Deadpool and Wolverine with a commercial where the two settle their differences over cans of beer.

Research contact: @marketingdive

Coke’s Summer Olympics campaign celebrates the unifying power of hugs

July 11, 2024

Coca-Cola debuted its Summer Olympics campaign with a theme around hugs—a gesture the soft drink brand described as a universal sign of acceptance and inclusion, reports Marketing Dive.

The lead spot for “It’s Magic When the World Comes Together” shows swimmers Lilly King, Kaylene Corbett, Annie Lazor, and Tatjana Schoenmaker embracing—a nod to a moment at the last summer games. Casual viewers take a cue from the athletes and begin hugging people around them as the commercial continues.

Limited-time Olympics packaging displays illustrations of one half of a hug, creating a full embrace when two Coke cans are paired together. Out-of-home ads, social and digital content round out the effort, which champions unity, amid a time of heightened divisions.

Coke’s latest Olympics campaign feels far removed from the past two games, when close physical contact was strongly discouraged amid the spread of COVID-19.

The brand’s emphasis on inclusion, embodied through expressions of affection for sports rivals and strangers alike, comes at another fragile moment for society.

France, the host for the games this year, just underwent a contentious snap election, as did the U.K. Other countries, including the United States, are only just entering the thick of the political campaigning season, putting the public on edge.

Creative concepts like Coke’s will test whether brands can ameliorate consumer anxiety as the world comes together in competition. Special-edition cans further push people to gather and share a drink and a hug.

The lead ad for “It’s Magic When the World Comes Together” takes inspiration from a heartwarming scene from the 2020 Summer Olympics, in Tokyo, which took place in 2021 due to pandemic-related delays. After South African swimmer Schoenmaker broke the 200-meter breaststroke world record, teammate Corbett and U.S. rivals King and Lazor rushed to congratulate her with a hug in a display of uplifting sportsmanship. Coke’s commercial recreates the moment in Paris, which sets off an infectious wave of hugs across the globe as spectators embrace fellow fans, friends and even strangers on the subway.

The effort is part of Coke’s larger “Real Magic” brand platform that focuses on encouraging human connection. The soft drink company is an official Olympics and Paralympics sponsor.

“Our differences are what make us unique, but when we come together, that’s when the ‘Real Magic’ happens,” says Islam El Dessouky, global head of Content and Creative Strategy for Coca‑Cola. “Sports rivals embrace differences as a mindset. Olympic athletes train hard for four years with the goal of winning the gold. So, when you see them hugging, it’s a truly powerful symbol of human connection.”

The Olympics campaign was developed over the course of 18 months with aid from WPP Open X, a bespoke unit supporting the brand. Additional elements include outdoor ads appearing in France that underscore the hugging motif, along with special packaging exclusive to the country that was designed in collaboration with French artists Laura Normand, Aurelia Durand, and Bruno Mangyoku.

Research contact: @marketingdive

Gatorade revives iconic ‘Is It In You?’ tagline for largest-ever campaign

May 29, 2024

Gatorade is reviving its iconic “Is It In You?” tagline from the 1990s and 2000s as part of the PepsiCo brand’s largest-ever campaign, reports Marketing Dive.

The campaign is meant to combat the intense societal pressures placed on the latest generation of athletes and is rooted in a 60-second ad narrated by longtime brand partner Michael Jordan with appearances from athletes including Caitlin Clark and A’Ja Wilson.

The spot debuted during the NBA Western Conference Finals on May 28. The campaign will run throughout the summer with additional marketing spanning social media—including custom filters on Snapchat and Instagram, and billboards in cities nationwide.

The move seeks to address the shifting pressures and distractions faced by athletes today versus three decades ago—with 53% of Gen Z athletes who stopped playing sports reporting that they did so because of external factors like social pressure and unrealistic expectations.

Accordingly, the revival of the brand’s iconic tagline—first popularized with ads showcasing NBA legend Jordan dripping in Gatorade-colored sweat—reintroduces the concept of “it,” or what the brand defines as the “inner drive that fuels greatness.”

The campaign’s 60-second spot, “It Hasn’t Changed,” is narrated by Jordan, also the brand’s longest-standing athlete partner, and serves as a reminder to athletes that greatness isn’t about aspects like hype, clout or likes, but one’s own determination.

“The return of ‘Is It In You?’—our biggest campaign of all time—is about acknowledging how much the sports landscape has changed, while reminding athletes that one thing hasn’t: the inner drive that fuels you,” said Gatorade Chief Brand Officer Anuj Bhasin.

Research contact: @marketingdive

Dramamine goes for the gut with documentary tribute to barf bags

April 9, 2024

Motion sickness brand Dramamine’s latest marketing effort features a shoppable collection of repurposed barf bags that come with colorful designs, reports Marketing Dive.

Dramamine has produced a mini-documentary that serves as a tribute to the barf bag—an invention that the over-the-counter nausea relief brand has helped make less relevant.

The marketer interviewed barf bag collectors, medical experts, and everyday people with memorable vomit-related stories for The Last Barf Bag: Bidding Farewell to an American Icon. The content marketing piece recalls the history of barf bags, which were introduced roughly 75 years ago—around the same period as Dramamine.

This is Dramamine’s largest marketing investment since 2010, when it was acquired by Prestige Consumer Healthcare. Dramamine has grown its business by 30% in recent years and could stoke further brand awareness with the creative play that goes for the gut.

Those prone to emetophobia may want to steer clear of Dramamine’s latest campaign, which not only pays tribute to the barf bag, but also shares stories of motion sickness gone wrong—inclusive of descriptions of various forms of vomit.

The brand marketed by Prestige Consumer Healthcare is positioning the effort as a mea culpa, claiming its products are effective enough to have diminished the societal necessity of barf bags. That achievement represents a potential blow to barf bag collectors, a hobbyist group that’s central to the documentary and “just as interesting as they sound,” per details shared with Marketing Dive.

“At Dramamine, we’ve spent the last 75 years perfecting the art of nausea prevention. Unfortunately, that pursuit may have had an unintended side effect: barf bags don’t have as much barf to catch anymore, and their industry has been impacted as a result,” a website promoting the campaign reads. “That just didn’t sit right with us.”

TheLastBarfBag.com additionally features profiles of the collectors interviewed for the doc and a shoppable collection of repurposed barf bags that come with colorful designs and Dramamine products.

Jessie Bearden, a creative director who appeared on NBC’s “Making It,” also designed a one-of-a-kind wearable jacket made of barf bags that will go on sale April 17.

Dramamine enlisted agency FCB Chicago for the campaign, while Sunny Sixteen handled directing duties.

Research contact: @marketingdive

Dick’s enlists Kathryn Hahn, Will Arnett to showcase e-commerce convenience

March 4, 2024

Dick’s Sporting Goods is nudging more customers toward its e-commerce business with a new celebrity filled advertising campaign, reports Marketing Dive.

“Click on Dicks.com” stars actors Will Arnett and Kathryn Hahn as they scramble to purchase sporting goods, only to be reminded that Dicks.com is a faster way to shop. They’re then transported to a sprawling virtual warehouse that carries all the products they need.

The effort launched on Wednesday, February 28, across broadcast TV, social channels and several streaming platforms, including YouTube, Amazon and Netflix. It seeks to extend Dick’s winning streak with e-commerce, which provided a boon during the pandemic.

Dick’s latest campaign aims to remind consumers about the convenience and speed of shopping for sporting goods online. “Click on Dicks.com” was developed with agency partner Juxtapose Studio and production house London Alley, while the commercials were directed by actor and screenwriter Lake Bell.

The creative leans into Arnett and Hahn’s comedic backgrounds and references recent sales trends, such as the emergence of the Stanley tumbler as a favorite among Gen Z.

In Hahn’s spot, the “WandaVision” the star plays a cool aunt who’s forgotten to pick up basketball shoes for her nephew ahead of tryouts. After lamenting that she doesn’t have time to stop by a physical Dick’s store, Hahn is reminded by her younger relative that she could just go to Dicks.com. She is then zapped to a virtual Dick’s destination that has the sneakers she needs, as well as reams of basketballs, Stanley cups and other products.

Arnett’s commercial plays out in a similar fashion, with the actor searching for soccer cleats for his daughter and sweating as he attempts to appear in the know about Dicks.com.

Research contact: @marketingdive

Hellmann’s quadruple dips on Super Bowl with ‘most impactful’ ad yet

December 6, 2023

Hellmann’s will return to the Super Bowl for the fourth consecutive year with another spot centered on its program combating food waste, reports Marketing Dive.

Announcing its plans, the Unilever-owned mayonnaise marketer indicated that the annual sporting event is a major source of food waste, providing a timely opportunity to promote “Make Taste, Not Waste,” which encourages creative use of leftovers. Previous Hellmann’s Super Bowl commercials have also focused on the topic, seeking to balance a purpose-led message with the entertainment value fans seek during TV’s biggest night.

“Given what we know about food waste the day after the game, there couldn’t be a more relevant moment to drive awareness and make an impact about the issue,” said Chris Symmes, marketing director of Dressings North America at Unilever, in a statement. “For the last three years, we’re proud to say that our message got people talking about leftovers—we even saw an increase in the conversation about food waste by double digits—and we have plans to make this year the most impactful yet.”

Hellmann’s will run a 30-second ad for the CBS broadcast slated for February 11 during the second quarter, the company confirmed. Agency Wunderman Thompson developed the creative.

The brand’s latest big game play follows a Super Bowl campaign earlier this year that paired actors Jon Hamm and Brie Larson, punning on their food-friendly names. The effort, which ends with a cameo from Pete Davidson, was also made with Wunderman Thompson and received a muted reception.

Hellmann’s has ramped up its football presence in recent months, inking a lifetime endorsement deal with Titans quarterback Will Levis in August. The strategy has extended to the college arena, as well, through a partnership with the SEC that included the inaugural Hellmann’s Award.

The Hellmann’s news arrives as a deluge of Super Bowl-related advertising announcements are expected in the weeks ahead as brands try to stoke anticipation for what are often exorbitantly pricey campaigns. CBS in November said it was “virtually sold out” of Super Bowl LVIII inventory, with reports suggesting the network has sought between $6.5 million to $7 million for 30 seconds of airtime.

Hellmann’s factoring a purpose-driven theme into its Super Bowl strategy also comes as parent Unilever reassesses the tactic that it helped popularize. The packaged goods giant, which is in the midst of a leadership transition, has stated that it will not force-fit purpose on all of its brands after its approach became unfocused in recent years.

Research contact: @marketingdive